The Representation of Famine and Human Life in Narayan Gangopadhyay's Short Stories

Abstract

Narayan Gangopadhyay's literary works were profoundly influenced by the socio-political upheavals of the 1940s, particularly the Quit India Movement and the Bengal Famine of 1943. His stories depict the grim reality of famine-stricken Bengal, highlighting the exploitation and suffering of the common people. Gangopadhyay's storytelling, rich in descriptive skill and humanistic values, brings to life the struggles and resilience of his characters. His first story, "Pashapashi," contrasts the lives of a wealthy family and a poor family, reflecting societal disparities. His collection "Bitangsha" features the story of Sundarlal, a cunning broker posing as a saint, showcasing his bold romantic imagination and environmental composition. Some of his stories depicting the famine are "Nakrocharit", "Dusshashon", "Haar", and "Dinner". These stories depict the harsh realities of the famine and the transformation of society during that time.Overall, Gangopadhyay's work offers a poignant commentary on the human condition during a tumultuous era in Bengal's history.